Created to withstand harsh conditions, Egbot has seen some of the worst environments in the Galaxy. It is outfitted with tools for any situation. Egbot is the toughest robot there is. Now it clomps sadly through the Museum. It would tell stories but it's voice systems are broken and you can't get those parts anymore.
Wednesday, May 21, 2008
Egbot
Monday, May 19, 2008
Mimbelbot, The King's Robot
Once the robotic servants of royalty two centuries ago, there is only one working Mimbelbot known to exist and it resides in the Robot Museum. Helpful, polite and strange, you can hear it's feet clunking loudly down the corridors.
Saturday, May 17, 2008
Potbot's Everywhere
Once it seemed that everyone had a Potbot. They floated along the city streets in huge numbers, they were in every office and home. They made the world seem strange and mysterious, these ornate clock-work looking robots. No two were exactly alike. Now, sadly, they are relagated to museums as the last one was made over 40 years ago. People say they still float around abandoned deep space colonies, waiting for someone to return so that it can take notes, run errands or record stories. They are best at recording stories.
Thursday, May 15, 2008
Museum Tours Resume....Flobot
Wednesday, May 14, 2008
Interview
Here's a local interview done by Aaron Harpell:
Thank you so much! I really laboured at it. I loved the story and wanted to
give something to the finished work that would add to it in a meaningful way.
This was my first published work, save some self published work in high school.2. When Nimbus approached you to work on Terrible, Horrible, Smelly Pirate, how did you come up with your characters? Did they develop by working with the author, reading the text, or just thinking about kids and pirates... How do you tackle a project?
The characters popped right out of the wonderful text. There was a certain tone and atmosphere to this story that I really wanted to capture, something fun and wild, like children running on the beach. I wanted to portray a magical place where I felt this story happened and wanted to portray characters that fit into that world. All my work is like that, the text is like a window to another place that I look through. There are things inferred between the lines in any text as well; Memories we all have of going to the beach of being pirates in our minds of the magic of dress up.
As to how I approach any given project, it's always the same. Lots and lots of sketching. If it's a book I'll read through it a few times to get a sense of place and atmosphere then I do scores of postage stamp pictures. I also do a lot of visual research which suggests other things and soon the pictures have acquired a life of their own and I'm running along with them, trying to keep up.
I love to get author input but I don't always find it necessary.If the author or authors want to collaborate more directly with me, I'm fine with that as well.
3. You teach kids how to create art (uh... I think I remember you mentioning this). Do you think that helps you create illustrations that appeal to children? Do you learn anything from watching kids create?
One big lesson I've learned from working with kids is you have to be fairly unselfconcsious to be creative. You can't be too cynical or afraid of messing up.
4. What are you working on now?
I'm working on a project with Scholastic.
5. (if you can somehow work the book fair you mentioned last night into an answer, and want to expand on the Muslim illustrators, which I thought was cool). What did you think of the Toronto Book Fair? Did you see any different illustration styles that appealed to you?
The Toronto book fair was a great experience. I met some amazing people and learned a bit about how the industry works on a bigger scale.I did a signing there, which was an odd and flattering experience. People really love illustrated books. I did my signing at the same time as horror writer Clive Barker did his. He was across the aisle from me, there were a lot of odd moments like that. I also got to meet some writers and artists who I've long admired, like governor general winner Wallace Edwards. That was a real thrill. I'm so grateful to be part of this whole thing.
An Old Picture
A Typical Day
Frank Gardner tagged me to out line a typical day of mine. While no days seem to me to be particularly typical I'll cobble to together an outline....
7 am to 7:30 am Julie goes to work on the bus, I walk down with her with the dog, Benny.
7:30 to 8:30 Breakfast, coffee and email reading and blogging stuff.
8:30 to about 3 PM or so I work or I try to, this is usually the bulk of my work day. It is interspersed with dog walks, reading breaks, food breaks, changing the C.D. compulsive email checking, phone calls, list making etc...
3:00 to 4:30 I'll often take a break here
4:30 to 5:30 Julie returns from work and the dog and I retrieve her.
5:30 to 6:30 hopefully more work before supper
6:30 7:30 Supper
7:30 till 11:00 or so is sort of a work time but very broken up by other stuff.
And I go to sleep between 11 and 12......
And I tag Abigail http://www.theodesign.com/blog/
Angela http://www.angelatoshoppe.blogspot.com/
Paige http://www.paigekeiser.blogspot.com/
and Jennifer http://www.art-words-life.blogspot.com/
Tuesday, May 13, 2008
Cobequid Consolidated


Book Review : Castle Waiting by Linda Medley

Sunday, May 11, 2008
Draw Draw Draw......








I'm doing this post Sunday night so I can fly out the door in the morning. I have a very rural school visit tomorrow (Turo) and a ceremony to attend in the afternoon so I'll be busy for a while.I thought I'd this post in advance. Can't wait to get home and start drawing again. These are all from my last two sketch books. The stuff worth showing you. I'm starting to detect odd new influences in my work, which for me is always delightful and suprising. I've been looking at more conceptual art and more cartoons lately and all sorts of random things. I have a tonne of robot drawings to share but I want to organize everything first as I start to concentrate more on the Robot Museum. There are too many ideas floating around! That's not a complaint, mind you.Friday, May 9, 2008
For Your Convenience......
If anyone has a strange compulsion to own a Smelly Pirate book that I will sign for you, please note the "Buy now" button to tour right. I've set up a Paypal service for this. Just remember to email me your address and requests. Thanks!
Thursday, May 8, 2008
On The Run
Wednesday, May 7, 2008
Selling Stuff
Stars


These are my stars for Jillian Curtis' star project. The stars are to teach her children about the Holocaust through compassion and acceptance. It's a huge project. This is the sort of the thing I find very difficult to approach in pictures. I find it hard to be very serious and a subject like this demands gravity and sincerity. I looked to other artists who do similar subjects for inspiration, especially Maurice Sendak and Kathe Kollwitz. I wanted to evoke a sense of rememberance and hope.
Tuesday, May 6, 2008
Line And Tone


Thinking lots about line and tone lately. After having a hard look at the pirate book the thing that made me uncomfortable with the art was the uncertainty of the line work. It didn't know how to relate to the tone and would disapear or get scraggly or wimpy when I wasn't sure what to do. I've been looking at artists who use line and tone a lot to see what they do, artists like J.P. Vine and Annette Marnat. J.P. comes from animation and there's a real energy and focus to his line, it almost has the quality of performance. Annette's work is more of a graphic element worked into her elegant compostions. Historically, my guides in line and tone are Rackham and N.C. Wyeth. Rackham for his intelligent, elegant line Wyeth for his understanding of line and colour and tone; a painter's line. These drawings were done especially after looking at Annette's and J.P.'s work. Blogging has made me realize how high the standard is!
Monday, May 5, 2008
The Bald Ibis
I was at a pizza party with my friends the other day and got sucked into reading a copy of the Guardian newspaper they had laying around. There were two really interesting articles. One was on the preservation of the semi colon and the other was on the bald ibis. The bald ibis is an odd and interesting bird because it seems to have evolved badly. It has a great migratory instinct but no sense of direction. Every year it migrates but can't seem to find it's way. They are also easily distracted and may end up on a beach somewhere forgetting to complete thier migration. I'm sure all this is a great metaphor for something or other.
Sunday, May 4, 2008
Fish Transit
It rained here for a few days in a constant thin drizzle that was only visible if you looked at street lights or puddles. The air was so wet that you felt you were under water. And then it stopped. Drat. I love interesting weather. Just finished up a new picture which I'll post later, and I can get back to the Robot Museum today, although i could use a day off. I'd really like to get back to my series of robot pencil drawings and put together a little robot book.
Friday, May 2, 2008
Dinosaur Cowgirl
Wednesday, April 30, 2008
Pirates!!


Finally! I have the internet again. I apologize for my absence, I really missed everyone Else's blogs. I felt cut off from my community. I also got a ton of work done, so it wasn't all bad. Here are some scans from my advance of my new book. I'm very proud of this one, I really put a lot of love and time into it. I can see some major flaws but not as bad as my other books. I think I'm learning. I'll complain about myself in an upcoming post. If anyone wants me to sign a book for them and send it to them let me know, I'd love to do it. It's only eleven bucks Canadian. I think one of the things that made this book really work is the design. The fonts they chose are perfect, they echo both my pictures and the text. The designers are Co&Co. It's two girls called Kate and I went to college with both of them. Boy, they're good.













